“that Ravelian line between jazz and classical
has never has been more symbiotic.”
– Downbeat

“pulsating motifs. long painterly lines, open fields and pointillist statements into a fascinating whole… captivating chamber quartet.” – Jazz Times

“The combination of jazz and chamber influences feels not like a struggle for dominance, but rather two different musics effortlessly complementing one another.” – Best of Bandcamp February 2018

This project is supported by the French-American Jazz Exchange (FAJE), a program of FACE Foundation and Mid Atlantic Arts Foundation, in collaboration with the Cultural Services of the French Embassy.

“Clair Obscur”



Reverso Suite Ravel brings together American trombonist and composer, Ryan Keberle, and French pianist and composer, Frank Woeste, for an album bridging jazz and chamber music realized by an outstanding quartet featuring French cellist, Vincent Courtois, and drummer and percussionist superstar, Jeff Ballard.

Not many composers have inspired jazz musicians as often or as intensely as Maurice Ravel. Ironically, Ravel was one of the first 20th century classical composers to acknowledge Jazz as a valuable inspiration. During his US tour in 1928 Ravel said:

« Vous, les Américains, prenez le jazz trop à la légère. Vous semblez y voir une musique de peu de valeur, vulgaire, éphémère. Alors qu’à mes yeux, c’est lui qui donnera naissance à la musique nationale des États-Unis. »

— Maurice Ravel, Avril 1928

“You Americans take jazz too lightly. You seem to see it as a music of little value, vulgar and ephemeral. In my point of view, it is jazz that will give rise to the national music of the United States.”

— Maurice Ravel, April  1928

Keberle and Woeste show us that jazz and “classical” music have become even more intertwined in today’s music world, since they began to intersect amongst Ravel and his contemporaries such as Satie, Stravinsky and Milhaud over 100 years earlier, mutually inspiring the other’s practitioners.

Keberle and Woeste draw particular inspiration from Ravel’s “Le tombeau de Couperin, a suite for solo piano by Maurice Ravel, composed between 1914 and 1917, in six movements based on those of a traditional Baroque suite.

Bridging the Atlantic through support from a French American Jazz Exchange grant, Woeste and Keberle explore the classic six movement French Baroque suite working with the characteristic movements of the Prelude, Fugue, Forlane, Rigaudon, Menuet, and Toccata, re-defining these movements within their own unique compositional languages while sometimes incorporating Ravel’s original melodic, harmonic, and rhythmic material. 

Ryan Keberle and Frank Woeste met in 2015 while recording with acclaimed trumpeter and composer, Dave Douglas, where it became obvious that they had much in common musically. Shared backgrounds in jazz, but also in the classical and popular music traditions, made this collaboration a meeting of the minds made all the more intriguing with the addition of acclaimed French cellist, Vincent Courtois, and the French-based American superstar, Jeff Ballard, on drums along with Keberle’s trombone and Woeste’s piano.




April 20 – Chorus, Laussane

April 25 – Unterfahrt, Munich

April 26 – Katowice JazzArt Festival

Feb. 13 – Constellation, Chicago

Feb. 12 – Under the Radar, Newburgh, IN

Feb. 10 – Vesper Concert Series, Omaha

Feb. 9 – Noce, Des Moines

Feb. 8 – Kitano, NYC


Oct. 21 – St. Peter’s Church, New York City

Oct. 20 – Atlas Performing Arts Center, D.C.

Oct. 19 – Philadelphia Art Museum

Oct. 18 – Weinberg Arts Center, Frederick, MD

May 26 – Charlie Free, Vitrolles, France

May 25 – Club Nubia, Paris

Feb. 7 – The Jazz Gallery, New York City

Feb. 6 – Hunter College, New York City

Feb. 5 – Chris’s Jazz Cafe, Philadelphia

Feb. 4 – City of Asylum, Pittsburgh


Nov. 25, 2017 – Antony Jazz Festival, Paris

Nov. 24 – Jazzclub Hanover